Tag Archives: The New Yorker

“The Relive Box” by T.C. Boyle

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A prolific American author, T.C. Boyle has published 24 books of fiction and his short stories have appeared in magazines including The New Yorker, The Paris Review, and McSweeney’s. He received both his MFA and PhD from the University of Iowa, and he is a creative writing professor at USC. His work has been translated into more than two dozen foreign languages, and he’s won numerous awards.

I first discovered this story in The New Yorker, and I later had the pleasure of hearing T.C. Boyle himself read it aloud at the LA Times Festival of Books.


1. Consider the line, “deep in this moment which would give rise to all the rest.” What do you think of the protagonist’s idea that by pinpointing one moment in his life, he can understand everything that came after? How does this story explore the way(s) in which past and present are linked?

2. What techniques does Boyle use to cultivate the tone, both of the story as a whole and of the protagonist’s particular voice? How do these interact?

3. What did you think of Boyle’s use of the second person (“But let me explain the technology here a moment, for those of you who don’t already know”) and the way the author acknowledges the reader. Does this work/not work and in what ways?

4. This story is, in many ways, an exploration of grief, loss, and healing. With a device like this, which allows you to spend time with a (dead) person, would you ever really able to let go?

5. How does Boyle use the relive box to illuminate and explore the father-daughter relationship in this story?

6. What is the significance of Queenie?

7. What do you make of the conclusion? How does it further illuminate the story, and what do you see happening in the future for Wes (and Katie)?

This story will appear in Boyle’s upcoming collection, The Relive Box and Other Stories, which he’s currently working on. In a post dated July 11, 2016 he said he was revising one called “Are We Not Men?'” and that it “is not far off the mark with regard to the reality of what we are unleashing on the world with CRISPR/Cas-9 technology.” Can’t wait to read that one! In the meantime, enjoy “The Relive Box”–looking forward to discussing it!


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“The Crabapple Tree” by Robert Coover

I’ve become increasingly interested in the “modern fairy tales” trend, and I had just gotten acquainted with the Grimm tale “The Juniper Tree” after reading Lorrie Moore’s short story by the same title when I discovered “The Crabapple Tree” in The New Yorker. I’m pleased to share this story with MUG this week!

Robert Coover is an American author with ten novels and numerous plays, novellas, short stories, etc. to his credit. He’s known for experimenting with metafiction and magical realism, and he has taught at several universities, including Brown. You can read “The Crabapple Tree” here.

Image from The New Yorker; Artwork by Edel Rodriguez

Image from The New Yorker; Artwork by Edel Rodriguez

Questions for discussion:

  1. What do you think of Coover’s choice to make the speaker of this story an outsider, and to have her telling of it so far removed in time? What do you make of her voice? What purpose do these choices serve?
  2. Fairy tales often traditionally served as warnings for children… what does this tale caution against?
  3. Is the Vamp under the crabapple tree?
  4. Who is the villain in this story?
  5. What do you make of the final line?
  6. How does the Grimm story enhance your reading of this story? In what ways is “The Crabapple Tree” more “adult”?

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