I’m not one for much Creative NonFiction, but lately, after seeing all the cool stuff that people are doing in this genre these days, I’ve been coming around to it.
Arguably one of my favorite new examples of CNF done very well is the collection of short, nonfiction essays by Amy Leach titled Things That Are from Milkweed Editions (one of my favorite publishers). Leach graduated with an MFA from the Iowa Writer’s Workshop and now teaches at the University of St. Francis. This book is a string of fascinating meditations on the natural world and characterizes the creatures on this planet in captivating and vivid ways.
Today, we’re discussing one essay in particular, “Please Do Not Yell at the Sea Cucumbers.”
Some questions to consider:
- One thing that stuck out to me right away is Leach’s dense and very ornate prose. Sometimes it takes me several tries to read a sentence and often I have to slow down to understand her meaning better. How does her language, then, work for or against the content about which she is writing?
- In all of these essays, Leach flits around several different creatures/animals and uses them to collectively explore an idea. How does her movement from one creature to the next take you along as the reader?
- In what ways does Leach’s work serve as a meditation on the human condition? What does she ask us about ourselves even as she refuses to write about us directly?
- What do you believe does or does not allow Leach to achieve a balance between her obvious wealth of research and her lyrical reflections of them?