Take a wild clip-cut cinematographic ride into this week’s story “I Can See Right Through You” by Kelly Link. It was originally published in McSweeney’s Quarterly and was included in her short story collection Get in Trouble, a 2016 Pulitzer Prize Finalist. According to Kirkus Reviews: “In stories as haunting as anything the Grimm brothers could have come up with, Link (Magic for Beginners, 2005, etc.) gooses the mundane with meaning and enchantment borrowed from myth, urban legend and genre fiction. …. In “I Can See Right Through You,” an actor past his prime, famous for his role as a vampire, yearns for the leading lady who has replaced him with a parade of eternally younger versions of what he once was—but who is the real demon lover?”
Kelly Link is the author of the collections Stranger Things Happen, Magic for Beginners, Pretty Monsters, and Get in Trouble. Her short stories have been published in The Magazine of Fantasy & Science Fiction, The Best American Short Stories, and Prize Stories: The O. Henry Awards, etc.
- Near the beginning of the story, she writes, “Film can be put together in any order. Scenes shot in any sequence. Take as many as you like. Continuity is independent of linear time. Sometimes you aren’t even in the scene together. Meggie says her lines to your stand-in. They’ll splice you together later on.” The story jumps through time and throws us little snippets and “stand-ins” (both literally and figuratively) for Meggie and the demon lover. What does Link accomplish with this style, and what makes it successful?
- What do you think happened in the end? How does it tie back to the Ouija board from the beginning of the story?
- Why does Link call the narrator “demon lover” for most of the story until very late in the narrative when he’s named “Will Gald”? Why wait until he’s on camera?
- How does the setting contribute to the mood of the story?
Happy reading and fantasizing about your very first “demon lover” 😉